That's why even fans sometimes come to resent them. Even when we encounter them accidentally - even against our will - they bring us back. From Springsteen's jeans-clad backside and Michael Jackson's zombie dance, backward to Rhett and Scarlet's poster-worthy kisses and Dorothy's clicking ruby slippers, these elements intensely revive the feelings viewers or listeners had when they first experienced these pop phenomena. They do so, in part, through iconography. True blockbusters exert a superhuman grip on our common consciousness that defies the disposability of most mass entertainment. The song suggests that, like the singer's absent lover, the film may come to haunt them in their dreams, becoming a constant presence in their heart and lasting for a lifetime." "After James Cameron's signature credit, which seems to assert male authorship and authority, Celine Dion's song again places us within the subjective experience of a woman. "The end of the film provides us with a remarkable commentary on the relationship between cinema and life," wrote film historian Peter Kramer in a 2004 essay. And we do hear a voice but that more delicate soprano belongs to the Norwegian enchantress Sissel, who was employed by composer James Horner to engender ambient moodiness throughout the film's score. Beyond the moviehouse, it served as a kind of weather radio, signaling the onslaught of Dion's Titanic tornado, the theme song "My Heart Will Go On," in every mall, restaurant or minivan into which it so violently tootled. The film's score includes the haunting pennywhistle that announced the song's omnipresence in the late 1990s. Here's an example: Until last week, when I caught the 3D reissue of Titanic, I'd completely forgotten that Celine Dion's leonine wail never factors into the actual film. Images, sounds and storylines slide toward each other in a cataclysm of memory, like the cargo on a massive ship that's split in half and tilted on its side (you know where I'm going with this). Celine Dion sings "My Heart Will Go On" at the 1998 Academy Awards.Īn uncanny thing happens when we remember blockbuster cultural events - for example, massively popular movies of the last century.
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